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His mother gasped. Whatever was coming over the boy, she wondered. Never before had she been able to get a dose of medicine down him without a struggle. There could be only one answer. He was sick—sicker than he let on.,

"I'm here to witness to that, sir, and so's the men," said Mr Pledge.,

"Mr Greyquill!" cried Captain Acton.,

"Why, sakes alive!" cried his mother, "I never give Maurice a thought. O' course we'll have him, too. An' if there happens to be anybody else you'd like, you best say so now, Willium."

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"He'll never find the Scroggie will," he would speak again. "He'll always be poor.",

He was Mr Walter Lawrence, a son of Admiral Lawrence, and down to a recent period a lieutenant in the Royal Navy. He was something over thirty years of age, but drink, dissipation, the hard life of the sea and some fever which had got into his blood and proved intermittent, had worked in his face like time, and he might have passed for any age between thirty-five and forty-five. Nevertheless he was an extremely handsome man, of the classic Greek type in lineament, but improved, at least to the British eye, by the Saxon colouring of hair, skin, and eyes. His teeth were extraordinarily white and good for a sailor who had lived on gun-room fare in times when the ship's biscuit was flint, and the peas which rolled about in the discoloured hot water called soup, fit only for loading a blunderbuss with to shoot men dead. His eyes told their tale of drink, but they were large and fine and spirited; his light brown hair, according to the fashion of[Pg 39] the age, was combed down his back and lay in a rope-shaped tail there. He wore a wide-brimmed round hat, and his attire, a little the worse for wear, consisted of a blue coat, white waistcoat, sage-green kerseymere breeches, and, needless to say, the cravat was high and full. He stood about six feet, his figure was extremely well proportioned, and in addition to these merits his carriage had the easy elegance which the flow of the billow and the heave of the deck infuse into all human figures not radically vile and deformed. His voice was soft, winning, and somewhat plaintive, and no man, whether on or off the stage, not even Incledon, sang a song with more exquisite feeling and sweeter sincerity of passion.,

"Now teacher," said Keeler, the prayer over, "you jest set still, an' I'll send Maurice out after your horse.",

"I was forced to act many parts. Every day the strain grew more and more unsupportable, and I prayed for the end to come in the way I was working for. I was obliged to act many parts, some so base, sordid, even disgusting, that my heart sickened at my imposition, and the internal struggle with my feelings was as hard as my external efforts. I had to invent my parts and rehearse them."